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Oct 13, 2024
Writing Feedback / The proportion of dramatic, fantasy films and comedies - Mix Bar graphs [2]
The first bar graph illustrates how films in different genres were produced and the other graph how cinema tickets were sold in a nation from 1996 to 2000.
Overall, there was an increase in the proportion of dramatic, fantasy films and comedies released; meanwhile, an opposite trend was seen in the figures for romantic films. Additionally, the percentage of romantic movie tickets witnessed a decline while comedy consistently constituted the highest figure throughout the period.
The proportion of dramatic films created started at about 26%, after which it experienced a slight growth to 35% in 2000. Similar changes, but to lesser extents, can be seen in the figures for comedies and fantasy films, which rose from 20% in 1996 to just under 25% in 2000 and from around 12% to 21% in the final year, respectively. Meanwhile, the percentage of romantic movies remained unchanged throughout the period examined, at upwards of 5%.
5% of movie tickets sold in 1996 were romantic film tickets, with a subsequent decrease to approximately 2% after 4 years. The figures for dramatic, fantasy movie tickets saw opposite changes, growing from 16% and 3% in 1996 to shy of 18% and 8% in 2000, respectively. Similarly, comedy sales increased slightly from exactly 20% in the first year to 23% after 4 years.
The first bar graph illustrates how films in different genres were produced and the other graph how cinema tickets were sold in a nation from 1996 to 2000.
Overall, there was an increase in the proportion of dramatic, fantasy films and comedies released; meanwhile, an opposite trend was seen in the figures for romantic films. Additionally, the percentage of romantic movie tickets witnessed a decline while comedy consistently constituted the highest figure throughout the period.
The proportion of dramatic films created started at about 26%, after which it experienced a slight growth to 35% in 2000. Similar changes, but to lesser extents, can be seen in the figures for comedies and fantasy films, which rose from 20% in 1996 to just under 25% in 2000 and from around 12% to 21% in the final year, respectively. Meanwhile, the percentage of romantic movies remained unchanged throughout the period examined, at upwards of 5%.
5% of movie tickets sold in 1996 were romantic film tickets, with a subsequent decrease to approximately 2% after 4 years. The figures for dramatic, fantasy movie tickets saw opposite changes, growing from 16% and 3% in 1996 to shy of 18% and 8% in 2000, respectively. Similarly, comedy sales increased slightly from exactly 20% in the first year to 23% after 4 years.
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