I've been given an assignment to critic a jazz performance and it needs to be properly formatted and double spaced. Can anyone tell me if this is correct?
Australian jazz vocalist Jo Lawry celebrated the release of her debut album "I want
to be happy" at 55 Bar located in downtown Manhattan on Christopher Street near
Seventh Ave. I first noticed the intimate setting of the location, which was perfect for
a performance such as Jo Lawry's. I also noticed that there was a no food policy, this
reminded me of famous jazz club I've visited before such as Village Vanguard and
jazz clubs in Paris. There were a few things that I found interesting and similar to
past experiences in regards to the venue's atmosphere that night and I would like to
describe it in a few words.
1) Paris -the first jazz center outside the United States and I have had the great
pleasure to visit and experience it. For the very first time I have noticed how
people treated a great jazz performance, no food serving, bar is located all
the way back at the club and it's all about listening and feeling the music.
2) Village Vanguard- one of the oldest clubs in New York City, the center of the
jazz universe, the small club, triangular-shaped room with a great sound,
unbelievable history, where the ghosts of past jazz giants still play! And once
again there wasn't any food being served there isn't any need you come here
to listen.
My first time at 55 Bar and here it is an inexpensive, cozy place that brings an
atmosphere of a very casual and intimate jazz gig, just as early jazz in New Orleans.
There are 5 to 6 tables in the front and long bar lasting from the entrance to the end
of the extremely tiny room. Atmosphere was very unusual in the sense that it
seemed as if the place would remain virtually empty, musicians getting ready to
start, as they began the first set the place started to get crowded quickly.
The performance started with an original song "I want to be happy", very quiet and
I must say very unique start. After the first two minutes of listening I realized how
brilliant it's start was. What a great idea that leaves the listener wondering what is
going to happen next. Arrangements did not sound too fancy although vibes brought
some extravagance to the whole performance. It brought out both the keyboard and
percussion functions at some point with brilliance. Starting from the first song
guitarist showed his first solo pieces, which is also did not sound too fast or too
smart, quietly simply supporting the basic theme.
I also must mention her stunning arrangement of Barry Manilow's composition
"Can't smile without you" it shows a sensitivity, imagination, professionalism that is
thrilling. Performing duo Lawry brings incredible sensitivity, awesome
musicianship and perfect intonation for this song. The bands great work through the
rhythm section was amazing with a guitar solo that completed the performance.
I noticed how spiritual and powerful her performance was at this point. She brought
fresh life to every piece using perfectly timed phrasing.
A great duo with guitarist Keith Gantz performing "Honeysuckle Rose" brought
something new and unexpected to the whole performance, using a musical
procedure known as call and response. She's definitely leading a melody along
with guitar accompaniment. This composition without a doubt has a crystal soft,
unspeakable feel to it.
Also I must mention her brilliant performance of "I have a feeling I have been here
before". Here I can absolutely tell that Jo has got an incredibly pure voice with
faultless intonation, she was so real with awesome musicianship, she has brought so
much life and feeling to the composition-"Lawry is a true jazz singer!" My overall
thought's about her performance was that it's very real, not fake and extremely
soulful. A must see for any true jazz fan.
Australian jazz vocalist Jo Lawry celebrated the release of her debut album "I want
to be happy" at 55 Bar located in downtown Manhattan on Christopher Street near
Seventh Ave. I first noticed the intimate setting of the location, which was perfect for
a performance such as Jo Lawry's. I also noticed that there was a no food policy, this
reminded me of famous jazz club I've visited before such as Village Vanguard and
jazz clubs in Paris. There were a few things that I found interesting and similar to
past experiences in regards to the venue's atmosphere that night and I would like to
describe it in a few words.
1) Paris -the first jazz center outside the United States and I have had the great
pleasure to visit and experience it. For the very first time I have noticed how
people treated a great jazz performance, no food serving, bar is located all
the way back at the club and it's all about listening and feeling the music.
2) Village Vanguard- one of the oldest clubs in New York City, the center of the
jazz universe, the small club, triangular-shaped room with a great sound,
unbelievable history, where the ghosts of past jazz giants still play! And once
again there wasn't any food being served there isn't any need you come here
to listen.
My first time at 55 Bar and here it is an inexpensive, cozy place that brings an
atmosphere of a very casual and intimate jazz gig, just as early jazz in New Orleans.
There are 5 to 6 tables in the front and long bar lasting from the entrance to the end
of the extremely tiny room. Atmosphere was very unusual in the sense that it
seemed as if the place would remain virtually empty, musicians getting ready to
start, as they began the first set the place started to get crowded quickly.
The performance started with an original song "I want to be happy", very quiet and
I must say very unique start. After the first two minutes of listening I realized how
brilliant it's start was. What a great idea that leaves the listener wondering what is
going to happen next. Arrangements did not sound too fancy although vibes brought
some extravagance to the whole performance. It brought out both the keyboard and
percussion functions at some point with brilliance. Starting from the first song
guitarist showed his first solo pieces, which is also did not sound too fast or too
smart, quietly simply supporting the basic theme.
I also must mention her stunning arrangement of Barry Manilow's composition
"Can't smile without you" it shows a sensitivity, imagination, professionalism that is
thrilling. Performing duo Lawry brings incredible sensitivity, awesome
musicianship and perfect intonation for this song. The bands great work through the
rhythm section was amazing with a guitar solo that completed the performance.
I noticed how spiritual and powerful her performance was at this point. She brought
fresh life to every piece using perfectly timed phrasing.
A great duo with guitarist Keith Gantz performing "Honeysuckle Rose" brought
something new and unexpected to the whole performance, using a musical
procedure known as call and response. She's definitely leading a melody along
with guitar accompaniment. This composition without a doubt has a crystal soft,
unspeakable feel to it.
Also I must mention her brilliant performance of "I have a feeling I have been here
before". Here I can absolutely tell that Jo has got an incredibly pure voice with
faultless intonation, she was so real with awesome musicianship, she has brought so
much life and feeling to the composition-"Lawry is a true jazz singer!" My overall
thought's about her performance was that it's very real, not fake and extremely
soulful. A must see for any true jazz fan.