Hello All,
I am new here. I am from India and graduated with one year experience. I got to know this awesome website. Please help me with my motivation letter for Masters in Architecture programme in Europe. The two parts are
1. Personal History
2. reasons for applying(not yet started)
Personal History:
I have almost finalized my personal history after several of drafts and tried to be as specific and interesting as possible.
I want help regarding the cut shortage of the personal history (as I think its too much) + I need some help with the grammar and humor .
(The maximum word limit is 1200 words, but that is including the 2nd part: So that leaves personal history with maybe 600-700 words) (Also , it would be reat help, if you could suggest how to fit personal history and reasons for applying in one or one n half page!)
Here below:
"I cried as the sea waves washed away my sand castle. 21 years later, an architect thanked the sea!"
After 6 years of an extraordinary ride in architectural education, I have realized that it has never failed to stupefy me with its momentum and diversity, bridging my interests and the strongest aspects of my strengths: an eagerness for creativity, and tryst for managing and solving complex practical issues.
I have always been mesmerized by design in any form and am very calm when I am being creative. My earliest memories of arts were creating sandcastles and cardboard sculptures. Though, my first experience with architecture was negative, when I felt the coldest and scared at National Museum, Delhi. On the contrary I also find it to be a perfect synthesis of aesthetic beauty of simplicity and intuitive function. After graduation and a yearlong practical experience, I stand a firm faith to dedicate my career to this astonishing field. A creative child at 10 was still part of an adult at 24 who believed that architectural language can be expressed by atmosphere, flow, transparency, obliqueness and even harshness.
What I unthreaded is that, architecture is a creatively impulsed multi-discipline, which combines technology and art rather than choose one or another. It unleashes one's thinking ability and can be translated through any medium. The design concepts, in my immature mind, began to take precedence in most sensory and concrete forms. As I set for an art of embracing serendipitous events along the way, I can now tell that to feel proud of your own, idiosyncratic work is far more satisfying than any mark.
What architecture nourished me with is the collaborative process of modeling, from pre-supposed monotony to meaningful practicality. Initially, I struggled pulling off the new "design" language and intense studio hours. Meanwhile, subjects like Biology heightened my urge for design; how vast the spaces are and still details are most crucial, just like "cell". Studying Architectural graphics, Structures & Construction techniques, I realized everything contributes uniquely to a building's perception. I slowly learned to anticipate the spaces in terms of their proportion, scale and planning. Axonometric and perspectives taught me how to give large space a magnified experience. Nave of "Westminister Abbey, London" imparted an impression that architecture needs "natural biology" for its structure as a visible force and "technology" to make it simple and efficient.
From third year, I began to adopt an exceptional design process to stimulate creativity. The design task was to design a music center in a public park, Mumbai. Recalling my professor words, "Form follows feelings and design as if you got a bunch of empty ideas ready for chemical engagement with site." Just how music is discriminating but natural, its center evolved as a structure enhancing public park by connecting to ground on its extreme points. The form is built in a way that it stubbornly suits that one site and placing it on another would only do injustice. This would achieve the desired topographical design features just as the site which would further create concrete solutions.
Not once did I felt heavy dutiful obligation to follow three year structural engineering courses in detail. Costing estimate induced a sensory experience of cost control that an architect must possess at every stage. Building services and foundation engineering were the courses where I had bad experiences and I thought I was done but coming back with patience, what a garden! Life became further stimulating and architecture more complex when subjects like high-tech buildings hit. Recalling Tjibaou Cultural center by Renzo Piano, what strikes me the most was not the wild but the subtleness of iroko wood, glass & aluminum blend. It stressed me not to look for lightening but the tiny ways the high-tech can change user-perspective.
In my final thesis semester, I found myself ardently enthused towards Campus planning and design. The process involved in-depth ethnographic research from different perspective people due to which I learnt to form a humanized. Through rigorous case studies, phased planning and transport networks, an urban pattern was created based on hierarchy of open spaces linked by well-thought shaded pedestrian pathways. By bringing unexpected agendas, I re-ordered the traditional logic and presented an unnatural value, on which jury comments were; your design is "annoyingly" positive & optimistic than "destructively" negative and hateful.
Besides academics, I was thoroughly involved in documentation of conservation sites in NASA(national association for students of architecture) from 2011 to 2014 during my bachelors. The noticeable projects were Nagaur fort, India. Architecture responsive to water bodies in India is very unique contribution to the world. The 40 acre site with 16 water bodies, 3 stpwells, 100 hundred fountains and 18 courtyards were documented intricatively by hands to conserve the complex as a physical ensemble. I learned fort's energy to re-establish the hot climatic principles and building's water cooled system redistributing running water through aquaducts, and channels. Water has achieved a vector quality and is defining the fort architecture a delightful experience. This 4 months exhaustive journey gave me a deeper comprehend that architecture is a part of many cultures and centuries and dig deeper to extract what I can from history and apply it to the present.
In order to apply the knowledge I gained from around-the-clock academic environment, I signed up for many internship during studies. With momentum, it is difficult to stop, while without it, it is difficult to start. My first internship momentum began as a draftsman and there was no stopping from there. Soon, I was hired by Atkins and Stantec to work as a trainee design architect. I noticed a shift in my life as now; my decisions are based more on curiorsity than fear and became a parcel of my existence. The months spent in internships are the reason that I am now proficient in software's diversity. Projects like Bluewaters and River front urban development taught me not to focus on fixed results as they will deny any opportunity to discover the unexpected. The six internships created a bottomless hole of desire which could never be satisfied with anything, it produces great experience and still wonder why it is not extraordinary!
In order to discover parallel dimensions, I spent a year gaining expertise in Building information modeling (BIM) industry from pushing Revit boundaries to exploring Navisworks and Bentley Micro station. I thrived and was chosen to join a BIM company named V-construct. For a year, I was involved on core modeling of international projects and multi-disciplinary coordination to ensure smooth delivery. New to the concept of geometry interference detection and material estimate calculation, I studied its intricacies in depth and made myself accustomed to the technology. My scope included high fidelity BIM such as MEP Systems, Site topography, utilities and infrastructure. The most interesting part was to develop 4D animation using synchro and 3ds max to analyze construction activity in actual time. My stint in BIM field has given me exposure to the corporate structure and professionalism. Being a BIM Architect help me understand how a structure is layered and functions to provide a solution to the clients. I also learned project management as I am self-aware that architects needed to be better managers. Heavily impressed by performance architecture and sustainability, I gained LEED GA credential recently. I learned that design isn't separate from sustainability- it is a key to it and "architecture is an art" is the biggest myth. 80% of the building impact is determined by earliest designs : location, massing, orientation. Admiring KFW Westerkade, Frankfurt, I learned that sustainable could be as elegant when form and performance merge. My aim continues to connect architecture, technology and sustainability overcoming urgent climatic issues, which, too often, hinder the betterment of our environment.
I am new here. I am from India and graduated with one year experience. I got to know this awesome website. Please help me with my motivation letter for Masters in Architecture programme in Europe. The two parts are
1. Personal History
2. reasons for applying(not yet started)
Personal History:
I have almost finalized my personal history after several of drafts and tried to be as specific and interesting as possible.
I want help regarding the cut shortage of the personal history (as I think its too much) + I need some help with the grammar and humor .
(The maximum word limit is 1200 words, but that is including the 2nd part: So that leaves personal history with maybe 600-700 words) (Also , it would be reat help, if you could suggest how to fit personal history and reasons for applying in one or one n half page!)
Here below:
"I cried as the sea waves washed away my sand castle. 21 years later, an architect thanked the sea!"
After 6 years of an extraordinary ride in architectural education, I have realized that it has never failed to stupefy me with its momentum and diversity, bridging my interests and the strongest aspects of my strengths: an eagerness for creativity, and tryst for managing and solving complex practical issues.
I have always been mesmerized by design in any form and am very calm when I am being creative. My earliest memories of arts were creating sandcastles and cardboard sculptures. Though, my first experience with architecture was negative, when I felt the coldest and scared at National Museum, Delhi. On the contrary I also find it to be a perfect synthesis of aesthetic beauty of simplicity and intuitive function. After graduation and a yearlong practical experience, I stand a firm faith to dedicate my career to this astonishing field. A creative child at 10 was still part of an adult at 24 who believed that architectural language can be expressed by atmosphere, flow, transparency, obliqueness and even harshness.
What I unthreaded is that, architecture is a creatively impulsed multi-discipline, which combines technology and art rather than choose one or another. It unleashes one's thinking ability and can be translated through any medium. The design concepts, in my immature mind, began to take precedence in most sensory and concrete forms. As I set for an art of embracing serendipitous events along the way, I can now tell that to feel proud of your own, idiosyncratic work is far more satisfying than any mark.
What architecture nourished me with is the collaborative process of modeling, from pre-supposed monotony to meaningful practicality. Initially, I struggled pulling off the new "design" language and intense studio hours. Meanwhile, subjects like Biology heightened my urge for design; how vast the spaces are and still details are most crucial, just like "cell". Studying Architectural graphics, Structures & Construction techniques, I realized everything contributes uniquely to a building's perception. I slowly learned to anticipate the spaces in terms of their proportion, scale and planning. Axonometric and perspectives taught me how to give large space a magnified experience. Nave of "Westminister Abbey, London" imparted an impression that architecture needs "natural biology" for its structure as a visible force and "technology" to make it simple and efficient.
From third year, I began to adopt an exceptional design process to stimulate creativity. The design task was to design a music center in a public park, Mumbai. Recalling my professor words, "Form follows feelings and design as if you got a bunch of empty ideas ready for chemical engagement with site." Just how music is discriminating but natural, its center evolved as a structure enhancing public park by connecting to ground on its extreme points. The form is built in a way that it stubbornly suits that one site and placing it on another would only do injustice. This would achieve the desired topographical design features just as the site which would further create concrete solutions.
Not once did I felt heavy dutiful obligation to follow three year structural engineering courses in detail. Costing estimate induced a sensory experience of cost control that an architect must possess at every stage. Building services and foundation engineering were the courses where I had bad experiences and I thought I was done but coming back with patience, what a garden! Life became further stimulating and architecture more complex when subjects like high-tech buildings hit. Recalling Tjibaou Cultural center by Renzo Piano, what strikes me the most was not the wild but the subtleness of iroko wood, glass & aluminum blend. It stressed me not to look for lightening but the tiny ways the high-tech can change user-perspective.
In my final thesis semester, I found myself ardently enthused towards Campus planning and design. The process involved in-depth ethnographic research from different perspective people due to which I learnt to form a humanized. Through rigorous case studies, phased planning and transport networks, an urban pattern was created based on hierarchy of open spaces linked by well-thought shaded pedestrian pathways. By bringing unexpected agendas, I re-ordered the traditional logic and presented an unnatural value, on which jury comments were; your design is "annoyingly" positive & optimistic than "destructively" negative and hateful.
Besides academics, I was thoroughly involved in documentation of conservation sites in NASA(national association for students of architecture) from 2011 to 2014 during my bachelors. The noticeable projects were Nagaur fort, India. Architecture responsive to water bodies in India is very unique contribution to the world. The 40 acre site with 16 water bodies, 3 stpwells, 100 hundred fountains and 18 courtyards were documented intricatively by hands to conserve the complex as a physical ensemble. I learned fort's energy to re-establish the hot climatic principles and building's water cooled system redistributing running water through aquaducts, and channels. Water has achieved a vector quality and is defining the fort architecture a delightful experience. This 4 months exhaustive journey gave me a deeper comprehend that architecture is a part of many cultures and centuries and dig deeper to extract what I can from history and apply it to the present.
In order to apply the knowledge I gained from around-the-clock academic environment, I signed up for many internship during studies. With momentum, it is difficult to stop, while without it, it is difficult to start. My first internship momentum began as a draftsman and there was no stopping from there. Soon, I was hired by Atkins and Stantec to work as a trainee design architect. I noticed a shift in my life as now; my decisions are based more on curiorsity than fear and became a parcel of my existence. The months spent in internships are the reason that I am now proficient in software's diversity. Projects like Bluewaters and River front urban development taught me not to focus on fixed results as they will deny any opportunity to discover the unexpected. The six internships created a bottomless hole of desire which could never be satisfied with anything, it produces great experience and still wonder why it is not extraordinary!
In order to discover parallel dimensions, I spent a year gaining expertise in Building information modeling (BIM) industry from pushing Revit boundaries to exploring Navisworks and Bentley Micro station. I thrived and was chosen to join a BIM company named V-construct. For a year, I was involved on core modeling of international projects and multi-disciplinary coordination to ensure smooth delivery. New to the concept of geometry interference detection and material estimate calculation, I studied its intricacies in depth and made myself accustomed to the technology. My scope included high fidelity BIM such as MEP Systems, Site topography, utilities and infrastructure. The most interesting part was to develop 4D animation using synchro and 3ds max to analyze construction activity in actual time. My stint in BIM field has given me exposure to the corporate structure and professionalism. Being a BIM Architect help me understand how a structure is layered and functions to provide a solution to the clients. I also learned project management as I am self-aware that architects needed to be better managers. Heavily impressed by performance architecture and sustainability, I gained LEED GA credential recently. I learned that design isn't separate from sustainability- it is a key to it and "architecture is an art" is the biggest myth. 80% of the building impact is determined by earliest designs : location, massing, orientation. Admiring KFW Westerkade, Frankfurt, I learned that sustainable could be as elegant when form and performance merge. My aim continues to connect architecture, technology and sustainability overcoming urgent climatic issues, which, too often, hinder the betterment of our environment.