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Posts by uhsikahtap
Joined: Dec 2, 2012
Last Post: Dec 3, 2012
Threads: 2
Posts: 5  
Likes: 1
From: United States of America

Displayed posts: 7
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uhsikahtap   
Dec 3, 2012
Undergraduate / Piano by my Lonesome --Personal Essay [5]

thank you very much for your replies! can somebody tell me the quality of the essay CONTENT-wise though? I'd like to know if I'm going on the right track for a decent essay or not, thank you!
uhsikahtap   
Dec 3, 2012
Undergraduate / Papercraft and its influence on my life; extracurricular activities/ work experiences [8]

linting2012
"...a small over application of glue may destroy the aesthetics of the craft."
you might want to hyphenate, "over-application"

"despite the craft's mind taxing nature, I find it comforting."
why not find a more descriptive word instead of comforting? how about calming or soothing?

"I, instead focus on my creation"
the sentence structure is a bit odd, why not put the I after "instead"

do you mean "slowly come to life" or live?

overall a very nice short answer, nice job!
uhsikahtap   
Dec 3, 2012
Undergraduate / Piano by my Lonesome --Personal Essay [5]

I would really appreciate some opinion, mainly on the quality of this essay, suggestions to improve are greatly appreciated, thanks!

Two husky men carrying a large brown box rang the doorbell-exciting! Bearing the traditional ignorance that comes with having lived for just over a decade, I had no clue what was in it until my older brother confided in me that he was attending his first piano class that he was going to use the new digital piano to practice. Unfortunately, that aspiration didn't take him very far and after not more than two "useless" lessons he decided he wasn't going to pursue it further. In a way it was godsend: (not that he had quit but that he had ever started) after he abandoned piano playing with a bad taste in the mouth it was up to me to make use of the expensive instrument. It began for me as a mischievous pastime, pressing keys in a haphazard fashion. Later I began recreating simple melodies from songs that struck my fancy. From then on conquering each song more difficult than the previous was a thrilling and gratifying adventure for me.

Just like the Caucasian who, surrounded by Indians in the Hindu temple every Diwali, stood out for more than one reason, I too seemed a foreigner to the trade. While the white man made an effort to slip into the festival covertly, his prayer rang more spiritedly than the more belonging Indians. I never had formal instruction nor did I know how to read music, so it was natural that I lived on a separate world to the common pianist. I was left cluelessly scratching my head when someone asked me if what I played was "in B major or B minor"; I developed my own terms for the same concepts, granting me a different perspective and above all a priceless sense of discovery to each new idea of sound.

I grudgingly spent a summer chained to the piano bench learning to decipher the scrawl of music notes on an emotionless 'staff'. But with the ability to read music and with my perspective from the less efficient means of learning a piece I realized an important thing: it's not the piano piece that reflects the sheet music, rather the sheet is an adaptation of the piece itself. It was a grueling task, listening to the piece hundreds of times to find every single note, but watching every gesture of the pianist and every impulse of the piano accounted for the reason my piece purportedly "actually sounds like the composer played it!" I always attributed the rich and warm sounds of a pianist's playing to the price tag on the piano, but my learning has brought me to realize that behind the commonly tossed around "posture" and "tempo" there exist a dimension of subtleties. The ink on a sheet of paper cannot document the precious nuances that enliven a piece of music, instead they tap into the pianist's innate sense of euphony-without which piano is dull and mechanical. For the past eight years, the melodious composition and first-hand discovery of art of piano have made me want to come back the black bench every day. (516 words)

I'd mostly like to know how it is as is, actual correction is additional.
uhsikahtap   
Dec 2, 2012
Undergraduate / Why Swarthmore? Quirks. - Swarthmore College [3]

bimzy
honestly I think the reason you haven't gotten very much feedback yet is because there isn't much to say, it's a fantastic essay! I really enjoyed reading it and as far as grammar or phrasing goes it has no obvious flaws, very nice job! :)

I'd appreciate it if you could look over my essay too, you seem like you really want to go to Swarthmore, I hope you get in!!
uhsikahtap   
Dec 2, 2012
Writing Feedback / Piano - the meaning of my life! [3]

thank you for the input! could anyone give me their feedback on what they think is the overall quality of the essay? thanks!
uhsikahtap   
Dec 2, 2012
Writing Feedback / IELTS Topic. women's role in modern society [5]

y0_3mma
it's a nice essay!! I like the topic and enjoyed reading it. There are however a few small things you may want to fix:

Coran is a very uncommon spelling of "Koran" so it might be better to use that. Also you should choose one of either "enabling" or "allowing", I think allowing is more direct.

You bring up some nice points though, great job!
uhsikahtap   
Dec 2, 2012
Writing Feedback / Piano - the meaning of my life! [3]

I wrote this essay on self-taught piano and why I enjoy it. I'd appreciate some feedback on how to emphasize the fact that learning it on my own has been like exploring a whole world of art first-hand which satisfies my curiosity and need for discovery, and of course any other feedback is needed and greatly appreciated. Also I've italicized things I think I would like to change somehow because of lack of clarity.

Two husky men carrying a large brown box rang the doorbell-exciting! Bearing the traditional ignorance that comes with having lived for just over a decade, I had no clue what was in it until my older brother confided in me that he was attending his first piano class that he was going to use the new digital piano to practice. Unfortunately, that aspiration did not take him very far and after not more than two "useless" lessons he decided he was not going to pursue it further. In a way it was godsend, not that he had quit but that he had ever started; after he abandoned piano playing with a bad taste in the mouth it was up to me to make use of the expensive digital instrument. It began for me as a mischievous pastime, pressing keys in a haphazard fashion. Later I began recreating simple melodies from songs that struck my fancy, and from then on conquering each song more difficult than the previous was a thrilling and gratifying adventure for me.

Just like the Caucasian who, surrounded by Indians in the Hindu temple every Diwali, stood out for more than one reason, I too seemed a foreigner to the trade. While the white man made an effort to slip into the festival covertly, his prayer rang more spiritedly than the more belonging Indians. I never had formal instruction nor did I know how to read music, so it was natural that I lived on a separate world to the common pianist. I was left cluelessly scratching my head when someone asked me if what I played was "in B major or B minor"; I developed my own terms for the same concepts, granting me a different perspective and above all a priceless sense of discovery to each new idea of sound.

Music reading proficiency took up one a productive summer's worth of time, but with that and my previous perspective I realized an important idea: it's not the piano piece that reflects the sheet music, rather the sheet is an adaptation of the piece itself. It was a grueling task, listening to the piece hundreds of times to find every single note, but watching every gesture of the pianist and every impulse of the piano accounted for the reason my piece purportedly "actually sounds like the composer played it!" I always attributed the rich and warm sounds of a pianist's playing to the price tag on the piano, but my learning has brought me to realize that behind the commonly tossed around "posture" and "tempo" there exist a dimension of subtleties. The ink on a sheet of paper cannot document the precious nuances that enliven a piece of music, instead they tap into the pianist's innate sense of euphony-without which piano is dull and mechanical. For the past eight years, the melodious composition and first-hand discovery of art of piano have made me want to come back the black bench every day. (498 words)

Thank you very much!
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