What work of art, music, science, mathematics, or literature has surprised, unsettled, or challenged you, and in what way?
I chose Alfred Reed's Russian Christmas Music
In 1944, Alfred Reed wrote the famous concert band piece Russian Christmas Music in only sixteen days. With such a small window of time for composition, the piece has received an unrivaled level of praise, all of which is well deserved. I have performed this piece for three years now at my high school's annual Christmas concert and each time, it has thoroughly moved me and visibly moved the audience. Our rendition of this classic piece has always been slightly different than those I have seen performed elsewhere. We do not play the entire piece but rather the final build-up and climax. Beginning with a series of mysterious and intriguing trombone swells, the introduction is backed by the distant regal melody of chimes. As this section accelerates and expands to include the entire ensemble, reaching a point at which it could not grow any greater, it explodes with a final feeling of triumph, receding to reveal a soothing clarinet and bassoon rhythm intertwined with the longing call of a French horn. Accompanying this change in mood, is the entire choral department with an eerie and yet soothing recitation of a Russian carol. This is the moment that has the most profound effect on both the audience and performers, making it rare to see a dry eye. Tension builds yet again as the trumpets and trombone sound their majestic theme and the rolling triplets accelerate to the peak. The summit is met with the pounding of timpani and liberal use of chimes backing a now roaring brass and woodwind ensemble. The resolving note sounds and the silence, as loud as an explosion, reverberates through the room, as well as my heart and soul.
I chose Alfred Reed's Russian Christmas Music
In 1944, Alfred Reed wrote the famous concert band piece Russian Christmas Music in only sixteen days. With such a small window of time for composition, the piece has received an unrivaled level of praise, all of which is well deserved. I have performed this piece for three years now at my high school's annual Christmas concert and each time, it has thoroughly moved me and visibly moved the audience. Our rendition of this classic piece has always been slightly different than those I have seen performed elsewhere. We do not play the entire piece but rather the final build-up and climax. Beginning with a series of mysterious and intriguing trombone swells, the introduction is backed by the distant regal melody of chimes. As this section accelerates and expands to include the entire ensemble, reaching a point at which it could not grow any greater, it explodes with a final feeling of triumph, receding to reveal a soothing clarinet and bassoon rhythm intertwined with the longing call of a French horn. Accompanying this change in mood, is the entire choral department with an eerie and yet soothing recitation of a Russian carol. This is the moment that has the most profound effect on both the audience and performers, making it rare to see a dry eye. Tension builds yet again as the trumpets and trombone sound their majestic theme and the rolling triplets accelerate to the peak. The summit is met with the pounding of timpani and liberal use of chimes backing a now roaring brass and woodwind ensemble. The resolving note sounds and the silence, as loud as an explosion, reverberates through the room, as well as my heart and soul.