Outside of academics, what do you enjoy most or find most challenging?
*how do i make this longer and better?
I was surrounded. I raised my arms; I was ready. With an energetic chord, I swept into the gypsy melodies of Czardas. The children, patients of the hospitals, sat around me, laughing and swaying to the music as I clumsily tried to play the violin and dance at the same time. It's embarrassing since I can't dance, but if it made them laugh, I was happy to continue my clumsy antics.
Every so often, I play a recital for the patients of a hospital. I am more than happy to play my violin for them because not only is it a good solo practice for me but I feel happiest performing in front of children. Children are wonderful audiences; they are easily excited and swayed, and their innocence allows to easily express their happiness with their bodies and faces. As a performer, I am attuned to my audience, and seeing them smile and dance to my rhythms makes me a happy performer. Their boisterous energy is contagious. Being around them, I often get as excited as them and my music, responding to my feelings, becomes more lively and free. This quality, this expression, in my music is not easily attained but when it is, I feel like music takes me away, sweeping me along its rhythmic embraces.
*how do i make this longer and better?
I was surrounded. I raised my arms; I was ready. With an energetic chord, I swept into the gypsy melodies of Czardas. The children, patients of the hospitals, sat around me, laughing and swaying to the music as I clumsily tried to play the violin and dance at the same time. It's embarrassing since I can't dance, but if it made them laugh, I was happy to continue my clumsy antics.
Every so often, I play a recital for the patients of a hospital. I am more than happy to play my violin for them because not only is it a good solo practice for me but I feel happiest performing in front of children. Children are wonderful audiences; they are easily excited and swayed, and their innocence allows to easily express their happiness with their bodies and faces. As a performer, I am attuned to my audience, and seeing them smile and dance to my rhythms makes me a happy performer. Their boisterous energy is contagious. Being around them, I often get as excited as them and my music, responding to my feelings, becomes more lively and free. This quality, this expression, in my music is not easily attained but when it is, I feel like music takes me away, sweeping me along its rhythmic embraces.