In some countries, only a few young people go to classical music concerts or plays and performances in theater. Why?
Should young people be encouraged to attend more classical music plays and performances?
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Total words: 360
Innovation has appeared in every single aspect of the world, and entertainment is not an exception. Therefore, teenagers nowadays are considerably less interested in being audiences in theatre, which results in numerous criticism claiming that the youth should be supported to come to those places. In my opinion, I am in disapproval of this contention. The explanation will be given after discussing some reasons for the decreased number of teenagers attending theatre.
To begin with, the main reason for the descendant of young people coming to classical concerts or plays is that this kind of entertainment is no longer suitable for them. Society has adopted more types of recreations, which can match teenagers' favor. For instance, cinemas, EDM festivals are widely preferred thanks to their energetic intrinsics. Meanwhile, classical performances are so fluty that hardly can they satisfy the crazy nature of the youth. That's why young people nowadays tend to less prefer coming to theatre.
To the best of my knowledge, I believe that encouragement for teenagers attending theatre's performances is not necessary. Firstly, the innovation of recreations throughout different eras is a must. We should not support the millennials to have interest in classical performances because their forebears did. What's more, each century has its own taste of art and that's explaining for the different favourite recreations of teenagers and older generations. In addition, such courage can lead to adverse effects on young people because of their unstable intrinsic and the distaste for classical performances.
There are few arguments saying that the cultural-historic values will disappear if millennials are not supported to attend theatre. Although I agree that this thought has some validity, I think it is exaggerated. The flow of times will gradually make the characteristic of teenagers more suitable for classical concerts or plays as they become mature. Consequently, these historic artistic features will be preserved, then passed down for the offsprings and continue to exist.
Having analysed all things above, I greatly believe that we ought not to make intervention in the millennials' favourite entertainments so as to remaining their distinctive taste. Classical music concerts or plays and performances in theatre will come naturally to the youth as time passes.